Bobby peterson quintet one day mama get your hammer


The Prestige 10000 Series commenced in 1971 when the label was sold to Fantasy Records and the label was moved to San Francisco California [3]


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The idea of 7" singles playing at 33-1/3 rpm was hardly new when Columbia re-introduced that format to the public in 1959. Back in the late 1940s, when Columbia and RCA-Victor were battling to see which speed would replace the 78, Columbia went all the way and started issuing their now-microgroove singles on the 33 speed (see example, below right). They even added radial "rumble strips" around the label to keep them from slipping when on a changer. But they were just weren't popular with record buyers and 45s quickly won out for singles. Columbia had to be content with a victory on albums. By mid-1952, the 7" 33 singles were banished from Columbia's catalog (they had never been in other catalogs).

When rival RCA-Victor jumped in on the stereo 45s in a big way in 1958, Columbia sat back and waited. Ultimately, they totally refused to give in to RCA's stereo-45 singles, although the did start issuing stereo EPs in February, 1959. Instead, they re-introduced their brainchild 33-single, this time in stereo, during the summer of 1959.

A bad idea is also a bad idea ten years later, usually. The record buying public still disliked the 33s. As singles, you couldn't put your thumb through a stack of them to keep from dropping them, and the fidelity wasn't much improvement, if any, to most customers' ears. Within a very few months, Columbia's dream of a single-speed industry (at 33-1/3, of course) failed completely.

By the start of 1960, the only solid customer the stereo-33 single had was the juke box operators, who stocked their stereo juke boxes with them. All the record labels began shipping stereo-33 singles to the juke box people in little packets of five discs, along with title strips for the juke boxes and 5x5-inch slick photos of the album from which the packet was derived. The juke box folks loved it.

A vast majority of the stereo-33 singles listed in this discography started as part of a 5-disc package for juke boxes. By 1962, the idea of selling stereo-33 singles at the local record store was about done, and the juke boxers started going for stereo EPs and "Little LPs" with three songs on each side, costing the listener 25 cents instead of one song for 10 cents. The Little LPs lasted much longer than the stereo- 33 singles, reaching into the 1970s.

We would appreciate any additions or corrections to this discography. Just send them to us via e-mail . Both Sides Now Publications is an information web page. We are not a catalog, nor can we provide the records listed below. We have no association with any of these record labels. Should you be interested in acquiring the stereo singles listed in this discography (which are all out of print), we suggest you see our Frequently Asked Questions page and follow the instructions found there. This story and discography are copyright 2014, 2015 by Mike Callahan.

W. Balliett, More Ingredients, American Musicians II: Seventy-one Portraits in Jazz , (NY: Oxford University Press, 1996). pp. 143-51. J. Bradley and G. Brooks, Bobby Hackett , Unpublished Manuscript. 1996. G. Frazier, The Theatrical Club: Jazz Comes to Boston , down beat , July 1936. J. Higgins, All That Jazz: Guys and dolls, Mary Jane and Jim Crow, Billy Holiday and George Frazier - Boston nightlife in the thirties, Boston Magazine, April 14, 1986. G. Lombardi, Eddie Condon On Record: 1927-1971, (Milano, Italy: The Black Saint, 1987). W O'Neill, I Remember Bobby , Cape Cod Standard Times , (Hyannis: June 1, 1996). Section B. . Stokes, Swing Era New York: Featuring the Jazz Photography of Charles Peterson , (Philadelphia: Temple University Press, 1994). You can also visit Bobby at The Landing Jazz Club in San Antonio - Home of Jim Cullum's Jazz Band | Main Menu | [ [email protected] ]

Performers: Menno Daams, Ian Smith, t; Matthias Seuffert, Alan Barnes, reeds; Adrian Fry, tb; Martin Litton, p; Martin Wheatley, g; Alyn Shipton, b; Norman Emberson, d. 2011

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Bobby Peterson Quintet One Day Mama Get Your HammerBobby Peterson Quintet One Day Mama Get Your HammerBobby Peterson Quintet One Day Mama Get Your HammerBobby Peterson Quintet One Day Mama Get Your Hammer

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